Is Dance Spiritual? – S. Jayachandran
Dear BN&WWW readers, Starting with this post we are bringing you series of articles by Shri. S. Jayachandran who is a dancer, dance-scholar, and an excellent orator. Jayachandran underwent his initial […]
Dear BN&WWW readers, Starting with this post we are bringing you series of articles by Shri. S. Jayachandran who is a dancer, dance-scholar, and an excellent orator. Jayachandran underwent his initial […]
Reproducing the article published in “Nava Anubhava” Youth festival’s brochure of the Classical Arts Society of Houston, November 10th 2013. “तत्रविभावानुभाव व्यभिचारि संयोगाद् रसनिष्पत्तिः” –Natyasastra, Chapter 6, verse 33 In […]
I saw this in one of my feeds and it is heartening to see that the Central Board of Secondary Education (CBSE) has started an elective course called Knowledge Traditions […]
There are many types of learning style; some absorb more through hearing lectures; some learn more by viewing the subject as pictures; and there are those who learn by observing […]
Click play on this awesome video and continue reading the post, while listening to it. (Hat tip to Krithika) Lot of things has been happening in the world of dance […]
There are two types of rasikas. The first type will wait for the dancer to finish the particular piece and then appreciate by applause. Then, there are the second type […]
Last year, Kalakshetra [1] had organized a five day workshop, where the scholar Bharat Gupt [2] discussed about and on Natyashastra. The entire lecture duration was for 25 hours! For […]
Readers may remember our earlier post on Kavutuvams. Guru Smt. Lakshmi Ramswamy, a guest lecturer at Madras University Fine Arts Department graciously shares with us more about Kavutuavams. BN & […]
Initially, there were the RPM records made of Shellac or vinyl. Then, came the cassettes that had a songs recorded and available for a price. Then, came the VCD’s and […]
If you have given BN performance to an uninitiated audiences either in India or abroad, the following might resonate with you. Before or after the performance, most audience are quite […]