Season Vumboid # 28/2013

Season tidbits from V. Sriram. Had to reblog this. 🙂

Madras Heritage and Carnatic Music

The best Abhinaya is to be seen at music concerts where singer, violinist, mridangist and upapakkavadyam-artistes all signal to the sound man to increase their volume-

Shrngaram – artistes look enticingly at sound man

Viram – some make bold to speak into the mic and ask for volume

Karunyam – out of compassion, sound man twiddles a few knobs

Adbhutam – the artistes are wonderstruck that their requests have been heeded to

Hasyam – sound man secretly laughs at such innocence

Bhayam – artistes fear that some of them may be cut off from the mic completely

Bhibatsam – they are disgusted when exactly the above happens

Roudram – they are roused to anger and demand volume

Shantam – peace returns when a compromise is reached and the artistes realise it is best to get on with the concert. The mic man is anyway always in a state of shantam.

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