Bharathanatyam and the worldwide web

Whats’s happening in the world of Bharathanatyam?

Music and Dance Season 2009-2010

I will consolidate all posts on the Madras dance and Music Season 2009-2010. For those of you who would like to know what it is like , “The Hindu” had brought out a curtain raiser on the upcoming “Chennai Music and Dance Season 2008″ (PDF version)
This includes an interview with Alarmel Valli. You can download the same at http://www.hindu.com/ms/index.htm

This Season’s Dance Award Winners are listed here

Thematic presentations and dance dramas that are scheduled to be presented for this season are listed here

Madras/Chennai Concerts*

Krishna Gana Sabha’s Natya kala Conference: that is an annual event during the season will be held at the sabha between December 26 and 31, 2009 .This years conference is convened by Ananda Shankar Jayant . The theme is “Dance Matters”.
contact e-mail: anandasj@rediffmail.com

Online Schedules/guides

  • The dance concerts we get to know of will be added to our calendar which can be viewed in the middle column of the front page of this blog. I have added schedules from Narada Gana Sabha, Bramha Gana Sabha, Nungambakkam Cultural Academy, Bharat Kalachar, Sri Krishna gana sabha,  Kalakshetra and others (that I came to know o)f. All programs are subject to change.
  • A new comprehensive website (http://www.thedecemberseason.com/home.php) has been launched to provide substantial information on schedules and location of concerts, andother related information like lodging and dining.
  • Saigan’s Consolidated and updatedMargazhi Season Guide can be found here
  • Visit http://artindia.net/madras09/index.html for a listing of  this season’s music and dance performances( Maintained by Sri. G.S. Rajan)
  • Mr. Ramkumar’s blog regularly provides Madras Kutcheri  updates (including  the season concerts, esp. for carnatic music concerts)

Updated Sabha/organization Websites

Tickets Reservation for NRI:
Kartik Fine Arts:
NRIs who want to attend the December season concerts can e-mail the sabha Secretary and reserve tickets. Reservation queries must be sent in October. Such people will get preference in issue of tickets. (subject to availability)

KARTIK FINE ARTS[Regd]Registered office address:
New No.16, old no.39,
Bheemana Garden St,
Abhiramapuram,
Chennai- 600018,
Ph:91-44- 24997788.

Administration Office address:
2,Sringeri Mutt Road,
Chennai,
Ph:91-44- 2495 2695.
E.Mail :kartikfinearts@vsnl.net  http://www.kartikfineartschennai18.com/

Swathi Sangeethotsavam is an annual classical music festival celebrated in honour of Maharaja Swathi Thirunal Rama Varma (1813 – 1846) the  poet king of the Travancore dynasty. This seven day festival is held annually from January 6 to 12 at the ‘Kuthira Malika’ palace at Thiruvananthapuram, Kerala, India where the king himself composed many of his musical gems.This could be a fantastic add- on to your season pilgrimage.Prince Rama Varma who organizes this music festival extends a warm welcome to all music lovers. These amazing concerts are entirely free . The schedule of Jan 2010 festival is as follows:-

Jan 6  Sanjay Subrahmanyan
Jan 7  Balasai (Flute)
Jan 8 Kunnakudi Balamuralikrishna
Jan 9 Varma
Jan 10 Mavelikara P.Subramaniam
Jan 11 Pandit Venkateshkumar (Hindusthani)
Jan12 Seetha Rajan

For more details on this festival visit http://www.aparnaonline.com/princerama.html

Sharing your Schedules

Please feel free to share your performance schedules, reviews and other related info here. Leave it as a comment and I will work on getting it published. Events will be added to our  Event calendar .

Source of Info: Personal emails, Music and Dance Websites, Brochures, Mgazines etc.

*-Please verify program schedules  with newspapers/sabha  as they may be subject to changes

Filed under: A.Lakshman, Anita Ratnam, Anitha Guha, Arts, Bharat Kalachar, Bharatanatyam, Bharathakalanjali, Bharathanatyam, Carnatic Music, Chennai, Chitra Visweswaran, Dance, Dance Gurus, December season., Dhananjayan, Gayathri Balagurunathan, India, Kalakshetra, Kartik Fine Arts, Kavita ramu, Kerala, Krishna Gana Sabha, Madras, Madras Music Academy, Madras Music Season, Madras dance Festival, Male Bharathanatyam dancer, Padma Subrahmanyam, Padma.S. Raghavan, Performing Arts, Prince Rama Varma, Priyadarshini Govind, Rajeswari Sainath, Rasika, Shanta, Sheejith Krishna, Shijith Nambiar, Shobana, Sreekala Bharath, Sri Krishna Gana sabha, Urmila Satyanarayanan, Vijayanthimala Bali, artists, awards, choreograhers, choreography, dance drama, dance festival, experiences, learning, leela samson, program, students, upcoming artist , , , , , , , ,

Parenting issues – a “Royal” insight…

Parents play a very important role in moulding kids, and in creating creators, lovers and sustainers of any Art form (Bharathanatyam included ofcourse).  Apart from their important role in genetic transmission of aptitude (and potential ??) and creating an environment that provides an exposure and sustained interest in pursuit of art education,  they also  naturally become the financial sponsors, motivators and first reviewers. They sometimes do double up as the event manager, the kid artist’s propaganda machinery,  the coach who charts out their ward’s artistic journey…

But in today’s rat race,amidst the cut-throat competition(I mean the environment and the  various contests) and reality TV  game shows, aren’t there times all of us have stopped to think if we(as parents) are on the right track? (I immediately recall the pig race at the Bangkok Zoo- dont know why this association  is an automatic reflex kind of a thing).

Here is a write up by Prince Rama Varma on the subject, that was posted at a discussion at rasikas.org. I post an excerpt from the same with his consent .

As for reality shows, I once made the mistake of appearing as a “Celebrity Judge” (Two words that I dislike equally) in a supposedly “Carnatic Music” based reality show. I wrote a heavily censored version of what I felt afterwards in the form of an article that I would like to share with you now. But I couldn’t find a single paper that would publish it in it’s unedited form, for reasons
that I leave you to guess.
Here’s the article on reality shows that I mentioned.

The Harsh Reality
——————
According to our ancient scriptures the six deadly sins are Kaama (Lust/Desire), Krodha (Anger),  Lobha (Miserliness), Moha (Temptation), Mada (Arrogance) and Maathsarya (Competitiveness.).
The last in the list seems to have been overshadowed by the previous ones  in people’s consciousness. Yet these days, Maathsarya seems to be the order of the day. One finds parents giving children names beginning with A in the expectation that later in life, should they share the same score with someone else for some competitive exam, they should get an edge over the other person at least alphabetically. It is only a question of time before we get to meet people with names spelt Aanand, Aaarathi, Aaaarsehole and so on. I remember reading somewhere that even if one were to score a victory in the rat race, one would still remain a rat. *Ouch!*
                              Yes, one has to earn a living. Yes, it is a cut throat world out there. Yes, one is taught to run faster,  push harder, fly higher. While qualities like grace, tolerance, kindness, patience, generosity and gentleness take a back seat, attributes like speed, smartness, efficiency, competance, decisiveness and ruthlessness are lauded. Mass production is in. Individual attention is out. Excitement is in. Tranquillity, out. In the middle of all this, one finds the mad rush of desparately unhappy souls seeking solace in the anodyne company of so called enlightened souls and lifestlye gurus who calmly end up making more money than corporate giants do and quietly satisfy their love of power by spouting tried and tested cliches about the power of love. Consolation pours out, money pours in. And the poor devotees eventually end up seeing the so called Gurus as the ultimate destination rather than as guides to show them the way to salvation. Quite sad really.
                                  In this scenario the need for each of us to find peace, solace and fulfilment Within is more urgent than ever before. And this is where the fine arts come in, be it music, dance, poetry or painting. Here’s Gustave Flaubert writing to a friend about great art.
“The most beautiful works….are serene in aspect, unfathomable. The means by which they act on us are various : they are motionless as cliffs, stormy as the sea, leafy, green and murmurous as the forest, forlorn as the desert, blue as the sky. Rabelais, Goethe, Shakespeare and Michelangelo seem to me PITILESS. They are bottomless, infinite, manifold. Through small apertures we glimpse abysses whose sombre depths turn us faint. And yet over the whole, there hovers an extraordinary Tenderness. It is like the brilliance of light, the smile of the sun….and it is calm…..calm and strong.” I know dozens of educated, affluent young people who speak with affected accents, write in text messagelike abbreviations and consider themselves super cool who would go “F*** man !  What the hell is this dude goin on about ?” if they were to read Flaubert’s lines or for that matter
my own lines. While wishing them a safe journey to the therapist’s couch later in life, let us ponder ahwile on the significance of the arts. And what is happenning to them these days.
                                   Since the dawn of the fine arts, there have been people who have practised……rather, Lived….art for art’s sake as well as those who have been hungry for fame and fortune. Many of the former have lived and died unknown and unrecognized and some of them have been hailed as having been truly great, long after their time. Many among the latter have enjoyed huge celebrity during their lifetime, but have faded into oblivion later. Having had the privilege of interacting closely with some amazing people from both categories and having seen the downside of sticking to either extreme (Completely idealistic or totally commercial), I have come to believe that it is possible to strike a healthy balance between these two courses of action in art and for that matter, in life itself. But I digress.
                                       I wish to share some thoughts about Maathsaryam or competitiveness in the arts. While I enjoy the thrill of a well fought match as much as any normal person, be it the finals at Wimbledon between Borg and Mc Enroe or Federer and Nadal in recent times, watching, enjoying and being inspired by the timeless charm and brilliance of Muhammed Ali’s legendary fights against Frazier, Foreman and others or experiencing the mad frenzy of attending a snake boat race, live at Alleppy, bobbing up and down in a boat surrounded by inebriated Keralite men and  bemused tourists, I somehow fail to see the point in bringing an Unhealthy element of competition into the arts…..”Unhealthy” with a Capital U. Why should we go into who was better…..Mozart or Beethoven ? Kishore or Rafi ? Van Gogh or Remembrant ? Thyagaraja or Dikshithar ? Shakespeare or Bacon ? Maupassant or Maugham ? Asterix or Tintin ? S.D.Burman or R.D.Burman ? Nargis or Madhubala ? While one may certainly have preferences, it is sad to be so fiercely loyal to one artist or school of art art that one is rendered deaf or blind to the charms offered by another. I see art, along with yoga and meditation, as a means to Ease tension rather than to generate further tension. By this, I don’t wish to imply that all forms of art should act as opiates or sedatives. Not at all. Clarifying the mind is in fact the opposite of numbing it. There can be tension within art too. And it can be uplifting, energizing and beautiful too. One can be blown away by the passion in the music of Beethoven or the poetry of Jacques Brel. But this tension and resolution within art is completely different from the tension arising from trying to prove that Vilayat Khan was better than Nikhil Bannerjee or vice versa, for instance.
                                            These days, tension and competitiveness of the ugliest and unhealthiest kind invades our lives and our homes every day in the form of reality shows on television. Who am I to complain if there are people who are prepared to eat cockroaches or drink vomit to try and win $25000 ? Or to remain cooped up inside a house for weeks together with a dozen other similarly ambitious souls and be constantly monitored by cameras and judged by the viewers ? And who am I to rue the state of mind of the people who view these shows ? It is just a question of economics……supply and demand. And the silver lining is that these reality shows eat up into a lot of time otherwise devoted to TV serials revolving around sordid family dramas. What pains me is how something as divine and sublime as music gets treated in these shows……by the producers of the show, by the judges, by the participants and by the viewers. British comedian cum author Ben Elton has written two books…..Dead Famous and Chart Throb….spoofing shows like Big Brother and American Idol respectively. Apart from the fact that they are extremely funny and incisive, they both are rather heart breaking too…..especially Chart Throb…since there is so much truth in what the author says, about what exactly happens in these reality shows. The rigging, the politics, the power play, the artifice, the drama, the destruction of dreams and the total absence of any kind of ethics or morals, purely for the sake of entertaining the viewers, consequently roping in more people to send text messages and ultimately making even more money for the producer. Ben Elton sums it up succinctly in one line “One winner. And a whole bunch of losers.” (The winner being the producer of the show, by the way…not the second best contestant who is usually made to win, supposedly based on SMS votes.)
                                                What provoked me to write this article was a so called “Carnatic Music based” reality show that has started recently in a Malayalam channel. The contestants are aged between 10 and 15. Since most of them are ordinary kids and not little Mozarts or Ramanujams, their knowledge of and grounding in the science and art of carnatic music is limited at best and quite normal for their age. While the best thing for these kids to do at this stage would be to listen to hours and hours of good classical music concerts by various great masters and Not get involved with any other kind of music till their grounding in the classical idiom becomes firm, solid and unshakable, the producers of the show have added rounds for light classical music (Which pollutes the real thing like few other things do, if one indulges in this before one is firmly grounded), singing for dance, jugalbandis and fusion. According to these parameters, set by the grossly misguided producers, most of the great masters of South Indian classical music would fail to win this contest. Ariyakudi Ramanuja Iyengar, Chembai, M.D.Ramanathan, Semmangudi, Madurai Mani Iyer and others would be knocked out in no time at all. Yes, the times, they are a changin’ as the song goes. And it may not be fair to plant musicians from half a century ago in this context and wonder how they would have fared. But what is undeniable is just how wrong a message is being transmitted by the producers of the show both to the viewers in general and to aspiring children and their parents in particular.
                                                 The major reason why nobody seems to be able to make the kind of perfect violin Antonio Stradivarius did more than two centuries ago, why nobody seems to be able to build a structure like the Acropolis any more, why nobody writes the kind of music Beethoven wrote and why nobody seems to be able to accomplish a tiny percentage of what Michelangelo accomplished doesn’t seem to be because of a short supply of brilliant minds around…..on the contrary, seriously talented and brilliant children are a dime a dozen these days…..but because the time, energy and focus of our kids these days gets scattered over a variety of things. And we get generations and generations of kids who are okay in several things, who do well in a few things but few of whom eventually do anything so great that they would “leave their footprints in the sands of time”, even if the phrase may sound pretentious. And we hang our heads in collective shame each time the Olympics comes around when India comes back with a single bronze medal and perhaps a silver, while countries so many times smaller and poorer than ours rake in the gold medals. But I digress again…..somewhat, though not totally.
                                                   To come back to the point in question….why this so called Carnatic music based show bothers me so much…..
1) It gives people the completely wrong impression that one has to sing several kinds of related and unrelated music to become a Carnatic musician, Especially during the Formative years when itis in fact completely destructive, damaging and dangerous for a student of music to do so.
2) When the participants are innocent ten year olds who may not yet be familiar with the harsh realities of life,
it would definitely crush their spirit and injure them deeply at a psychological level when they know that though they sang better, a less competant singer with greater political clout and consequently more SMS votes walked off with the trophy.
3) While it maybe a noble idea to render classical art forms less exclusive, the right way to do it would be to educate and enlighten the listeners and not pervert and bastardize the art form itself in the guise of making it more “User friendly.”
                                                    I already feel sorry for the poor parents of the losers, each of whom will have to cope with a bitter, depressed, demoralized and confused kid in their hands. And because of what ? Because of competing by singing songs composed by people like Thyagaraja, most of which are replete with messages which go Directly against Every Single thing these TV shows stand for !  Ironic, really. At this rate it won’t be long before they have reality shows featuring competitions in Yoga and meditation. The kids may suffer, people like me may rave and rant, but the producers laugh all the way to the bank. A handful of heart broken and messed up kids doesn’t seem to be too great a price to pay for the money they make or at least hope to make.
I do wonder about the parents though. Are they simply misguided or are they so totally blinded by ambition that they fail to see what a mess they are getting their children into ? At least Hollywood has the honesty to call it “Show Business” which is what it actually Is. But it is sickening how these people try to promote it as some sort of noble service they are rendering by “bringing more people……children as well as adults….closer to classical music.”
                                                       Wise people from all parts of the world ask us to view everything in a positive light. So let us celebrate the fact that our children get a significant head start over people of our generation in gaining first hand experience of one of the six deadly sins. Whether they ever get to sing Thodi or Bhairavi correctly or not, the smart ones from among these kids will soon learn about the six Ms they would need to succeed in life. Money, Money, Money, Money, Money…..and Money. And the show goes on. May the best win.

Rama Varma.
January 2008.

I am not saying we need to compromise on getting kids to take Art seriously… but I am just saying probably let’s not go overboard with all this obsession with ranking. I am just wondering if things would have been different if the “Top Artistes” of today grew under similar pressures. More interestingly will this environment  be condusive for creation of  divine compostions that will stand the test of time?

Filed under: Arts, Bharatanatyam, Bharathanatyam, Carnatic Music, Dance, India, Kerala, NRI, Performing Arts, Prince Rama Varma, South Asian Dance, artists, awards, competitions, contest, do's and don'ts for dancers, experiences, learning, promotion, students, talent, upcoming artist

Upcoming Programs of Shijith Nambiar and Parvathy

Shijith Nambiar and Parvathy

Shijith Nambiar and Parvathy

“One of the top male Bharatanatyam dancers in the country today” proclaims the mighty  “The Hindu”

“Shijith  Nambiar – the small prince of bharathanatyam”, “Dance like a man” rave other reviews.

The profile in their website reads….

“Shijith Nambiar & Parvathy Menon, Partners in Dance as well as in Life, are one of the prominent Dance Duos in the discipline of Bharatanatyam.

Shijith Nambiar, an ex-faculty member of “Kalakshetra”, Chennai, the world renowned institution founded by Smt. Rukmini Devi Arundale, is a brilliant Bharatanatyam performer with an unerring grasp of rhythmic intricacies.

A versatile Dancer, an exceptional Nattuvanar and a unique choreographer, Shijith Nambiar has already made his presence felt in India and abroad in the discipline of Bharatanatyam.

He has travelled around the globe with the repertory company of “Kalakshetra” and worked in Guadeloupe, U.S.A, Canada, U.K. and France as a choreographer and performer. Apart from his skill as a choreographer, teacher and performer, Shijith Nambiar is also a trained percussionist.

Shijith’s production “Krishna” was premiered in Kuwait last year. “Krishna” has already completed many stage in and outside India within a short span of one year. He was conferred with the “Yuvakalabharathi Title” in 2007 by Bharat Kalachar for all rounder in Bharatanatyam, Nattuvangam and Choreography.
 
Parvathy Menon born and brought up in Kuwait has completed her post diploma in Bharatanatyam from Kalakshetra and she is an exemplary example of the Kalakshetra baani (tradition). The excellent stage presence and exceptional bhavabhinaya demonstrated by Parvathy makes her distinct and exemplary. Parvathy has travelled widely around the globe as one of the lead performers of the Kalakshetra repertory Company.

Her most demanding role has been that of Christine in Masquerade of Kalakshetra which was widely acclaimed by eminent exponents of the discipline.

Shijith and Parvathy, together they explore the intricacies of Bharatanatyam, together they worship the spirituality of Bharatanatyam, together they pursue the dialogue of cultures in Bharatanatyam and finally together they take you to experience “Bharatanatyam”. “

Here are a few of their upcoming recitals…

October 18th An evening of Bharathanatyam by Smt: Parvathy Shijith at Narada Gana Sabha Mini Hall, Chennai, 7.30pm. 

November 5th KRISHNA ( our group production) for Dharani festival at the Fine arts hall Cochin.

 November  7th  KRISHNA  at Pallikoodam , Kottauyam, Kerala

November 23rd  KRISHNA for ABHAI at Naradagana Sabha, Chennai.

(Pl chk the local newspapers for timings if absent)

To Know more about this dancing couple visit their flash website at http://www.shijithnambiar.co.in/. You are in for some great music treat there…

For an indepth review of their performance and choreography featured in The Hindu, visit http://www.hinduonnet.com/fr/2008/07/11/stories/2008071150620300.htm

They are also performing during the season, those schedules will be listed in the Post titled Madras Music and Dance Season that is being compiled currently.

Filed under: Arts, Bharatanatyam, Bharathanatyam, Chennai, Dance, Dance Gurus, December season., India, Introduction, Kalakshetra, Kerala, Kuwait, Madras, Madras Music Season, Madras dance Festival, Male Bharathanatyam dancer, Masquerade, Narada Gana sabha, Nattuvangam, Performing Arts, Shijith Nambiar, artists, choreograhers, choreography, program, review, students, talent, upcoming artist ,

Navarathri Concerts at the Navarathri Mandapam, Tiruvananthapuram, Kerala

Navarathri begins today. On this occassion here is a musical celebration of Navarathri that I want to share with the readers.

The Navarathri festival concerts at the Navarathri Mandapam in the Sri Padmanabhaswamy Temple precincts in Thiruvananthapuram in Kerala has a heritage that is unique. This year, the fest starts on Sept.30 this year.

The classical music ( and dance) are an integral part of the celebrations held by the Travancore royalty in the past and is kept alive by the family of that lineage.

And the rituals and concerts, steeped in tradition, make them unique.

For Navaratri, the idol of Saraswathi is carried on a caparisoned elephant from a temple in Padmanabhapuram ( the erstwhile headquarters of the Travancore royals) and brought to the Navaratri Mantap where pujas are carried out every day for nine days.

The concerts are from 6.30 pm. Rasikas must settle down before that; late comers are discouraged.

Before the evening concert, there is a rendering the ‘Thodaya Mangalam’ and ‘Ganapathy Sthuthi’ composed by Swati Tirunal, by a set of bhagavathars who hail from an ancestry traced to musicians who performed during the era of Maharaja Swati Tirunal.

This compositions of the king have been preserved since those times because the bhagavathars have carried it down the ages faithfully through this oral rendition.

Since the 1920s, great Carnatic artistes were invited to perform for Navaratri. Maharani Sethu Parvathi Bayi, in her time, took immense interest in promoting music and concerts. Of late, Prince Rama Varma who also performs ( as a veena player and a vocalist ) has taken on the assignment of arranging the concerts and he has invited musicians too to perform.

Also, he broke tradition when he invited a woman – Parsa Ponnammal, a sishya of Semmangudi Srinivasa Iyer – to perform in the mantap.

Since the mantap is part of the Padmanabhaswamy Temple, certain rules have to be followed – only Hindus are allowed here, men must be bare-chested, photography / and cellphones are not entertained. Other rasikas can sit outside the mantap and enjoy the concert.

30 Sep Tuesday
6pm to 8.30pm – Navarathri Keerthanam “Devi Jagath Janani” – Sankarabharanam
Vocal : Sri T.M.KRISHNA
Violin : Sri R.K.Sreeram Kumar
Mridangam : Sri Guruvayur Dorai
Ghatom : Sri V. Suresh

01 Oct Wednesday
6pm to 8.30pm – Navarathri Keerthanam “Pahimam Sri Vageeswari” – Kalyani
Vocal : Master BALAMURALIKRISHNA
Violin : Smt. Padmasankar
Mridangam : Sri Nanjil Arul
Ghatom : Sri Manjoor Unnikrishnan

02 Oct Thursday
6pm to 8.30pm – Navarathri Keerthanam “Devi Pavanae” – Saveri
Vocal : Prof. Smt. PARASSALA B. PONNAMMAL
Violin : Smt Charulatha Ramanujam
Mridangam : Sri Mavelikara R. Rajesh
Ghatom : Sri Adichanallur Anil Kumar

03 Oct Friday
6pm to 8.30pm – Navarathri Keerthanam “Bharathi Mamava” – Thodi
Vocal : Sri M.K. SHANKARAN NAMBUTHIRI
Violin : Sri S. R. Mahadeva Sarma
Mridangam : Sri Cherthala S. Dinesh
Kanjira : Sri Uduppi S. Srikanth

04 Oct Saturday
6pm to 8.30pm – Navarathri Keerthanam “Janani Mamava” – Bhairavi
Vocal : Prof. T.V.GOPALAKRISHNAN
Violin : Sri S. Varadarajan
Mridangam : Sri Tiruvarur Bhaktavatsalam
Ghatom : Sri T.V.Vasan

05 Oct Sunday
6pm to 8.30pm – Navarathri Keerthanam “Saroruhasana” – Panthuvarali
Vocal : Prince RAMA VARMA
Violin : Sri S. Varadarajan
Mridangam : Sri B. Harikumar
Ghatom : Dr. S. Karthick
Morsing : Sri Payyannur Govindaprasad

06 Oct Monday
6pm to 8.30pm – Navarathri Keerthanam ” Janani Pahi” – Sudhasaveri
Vocal : Padma Bhooshan Sri TRICHUR V. RAMACHANDRAN
Violin : Sri M.A.Sundaresan
Mridangam : Sri Bangalore Praveen
Ghatom : Dr. S.Karthick
Morsing : Sri Payyannur Govindaprasad

9.30pm – Mohiniyattam by Dr. Deepthi Omchery Bhalla ( entry restricted to invitees)

07 Oct Tuesday
6pm to 8.30pm – Navarathri Keerthanam ” Pahi Janani ” – Nattakurinji
Vocal : Ms. AMRITA VENKATESH
Violin : Sri R. Madhavan
Mridangam : Sri A. Balakrishna Kamath
Ghatom : Sri Perukavu P.L.Sudheer

08 Oct Wednesday
6pm to 8.30pm – Navarathri Keerthanam ” Pahi Parvathanandini”- Arabhi
Vocal : Sri Thamarakkad GOVINDAN NAMBOOTHIRI
Violin : Sri Sampath
Mridangam : Sri Kuzhalmannam Ramakrishnan
Ghatom : Sri Uduppi Sridhar

Here is some more information from  probably Prince Varma himself at rasikas.org

The ambiance there is something to be experienced to be believed. Perfectly balanced acoustics, lighting by oil lamps, the divine grace of the Goddess in whose honour the concerts are conducted,
utterly disciplined and informed audience, the feeling of having travelled back in time by around two centuries…..the list is endless. As I said before…..it is something that has to be experienced to be
believed.
There are some restrictions though.
1) Only Hindus are allowed inside since it is a temple.
2) Men have to wear a mundu/veshti/dhothi and take off their shirts.
3) Everybody has to be seated by 6:00 pm at the latest.
4) Nobody can leave before the concerts finish.
5) The concerts start at 6:00 pm Sharp and finish at 8:30 pm Sharp.
6) Since the concerts are done as offerings to the Devi and not as “Performances” there is no applause.
7) Mobile phones are STRICTLY Forbidden inside.
8) The main krithi for each day is fixed.
9) Women were not allowed inside the Mandapam for 200 years but I had the privilege of getting
this tradition changed after fighting against this for 22 years. And now women can enter the place
both as performers as well as listeners.
A speaker will be kept outside the steps of the Shree Padmanabhaswami Temple (Which is adjacent to the Navarathri Mandapam) for the benefit of those who wouldn’t be prepared to follow all the restrictions listed above, but would still like to enjoy the concerts.
A chunk of each concert would be broadcast by the All India Radio, Trivandrum on all days from
9:30 pm till 11:00 pm.
For further information, queries, feedback, please write to me at kuthiramalika@gmail.com
(Much safer than sending a letter to the administrator by post by the way.)

Source: http://www.kutcheribuzz.com/news/20080918/navarathrischedule.asp

http://rasikas.org/viewtopic.php?id=6275&p=1

Read an article titled The Navarathri Mandapam Experienceby Rama Varma in the Hindu here

Filed under: Arts, Carnatic Music, Dance, India, Introduction, Kerala, Performing Arts, artists, experiences, program, promotion , , ,

Meet teenage dancer Meera Sreenarayanan

Meera sreenarayanan is  a 14 year old student of class IX at Guruvayur, Kerala, India. She has been learning classical dance since the age of five. She had her arangetram at age of 9 and has since been performing. Meera performs in the Bharathanatyam, Kuchipudi and Mohiniyattam  and folk styles. She is a disciple of guru. Shri.R.L.V anand .

Visit her website 

Filed under: Abhinaya, Arts, Bharatanatyam, Bharathanatyam, Dance, Introduction, Kerala, Performing Arts, Rasika, artists, experiences, program, promotion, review, students, talent, upcoming artist , ,

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